אנדרטת ויטוריו אמנואלה השני – הבדלי גרסאות

 

==קבר החייל האלמוני==

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The monument was controversial since its construction destroyed a large area of the Capitoline Hill with a [[Middle Ages|Medieval]] neighbourhood for its sake. The monument itself is often regarded as pompous and too large.<ref name=dAquino/><ref>{{cite journal |last=Atkinson |first=David |coauthors=Cosgrove, Denis |title=Urban Rhetoric and Embodied Identities: City, Nation, and Empire at the Vittorio Emanuele II Monument in Rome, 1870-1945 |journal=Annals of the Association of American Geographers |volume=88 |issue=1 |pages=28-49 |date=Mar. 1998 |accessdate=2007-02-26}}</ref><ref>{{cite journal |last=Peter Davey |title=Outrage |journal=The Architectural Review |volume=200 |issue=1196 |pages=25 |date=Oct 1996 |accessdate=2007-02-26}}</ref> It is clearly visible to most of the city of Rome despite being boxy in general shape and lacking a dome or a tower.<ref name=vidotto/> The monument is also glaringly white, making it highly conspicuous amidst the generally brownish buildings surrounding it, and its stacked, crowded nature has lended it several derogatory nicknames. Romans sometimes refer to the structure by a variety of irreverent slang expressions, such as "[[Zuppa Inglese]]", "the wedding cake", and "the false teeth", while Americans liberating Rome in 1944 labeled it "the typewriter", a nickname also adopted by the locals. Despite all this criticism, the monument still attracts a large number of visitors The opening as a public forum and as a view point over the City core was strongly fostered by the former President of the Republic [[Carlo Azeglio Ciampi]], letting people familiarize with the huge landmark, causing the ''Vittoriano'' to gain a new popular, yet not fully critical, reputation.

 

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==קישורים חיצוניים==

{{מיזמים|ויקישיתוף=Vittoriano (Roma)|שם ויקישיתוף=אנדרטת ויטוריו אמנואלה השני}}