English: oil on wood panel

English: Collection of Lucien Bonaparte (1775–1840), Prince of Canino and Musignano (respectively 1814–40, 1824–40), Rome and Viterbo, Italy, until 1840; collection of Comte James-Alexandre de Pourtalès-Gorgier (1776–1855), Paris, before 1855; collection of the Estate of Alexandre de Pourtalès-Gorgier, Paris, 1855–65; included in the sale of the Pourtalès-Gorgier collection, Paris, 27 March– 4 April 1865, no. 96 as Portrait à mi-corps et vu de deux tiers d’un jeune seigneur inconnu by Luca Penni; from where purchased by Goupil on behalf of an unknown private collector; possibly with Henry Farrer (1798–1866, dealer), London; possibly collection of Thomas Woolner (1825–92), before 1892; collection of Sir George H. Donaldson (1845–1925, dealer-collector), London, (by 1895)–1918; exhibited Royal Academy, London, 1895, as Lucretia by Paolo Morando, lent by George Donaldson; exhibited Old Masters, Grafton Galleries, London, 1911, no. 79 as Portrait of Lucretia by Paolo Morando, owner Sir George Donaldson; with Captain Robert Langton-Douglas, Dublin, Ireland, 1918; by whom sold to Viscount Lascelles, 1918; collection of Henry George Charles Lascelles (1882–1947), Viscount Lascelles (later 6th Earl of Harewood 1929–47), Harewood House, London, 1918–65; included in Rt Hon. Earl of Harewood sale, Christie's, London, 2 July 1965, no. 85, as by Paolo Morando; purchased by Colnaghi's (dealer), London, 1965; from which acquired, on the advice of Dr. Mary Woodall, for the Felton Bequest, 1965, arrived Melbourne 1966.